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PERFORMANCE FOR CAMERA BY FENIA KOTSOPOULOU

self-portrait
 

after charcot

PERFORMANCE FOR CAMERA BY FENIA KOTSOPOULOU

PH. DAZ DISLEY

a collaboration with Aylwyn Walsh
 

VOICELESS

PERFORMANCE FOR CAMERA BY FENIA KOTSOPOULOU

PH. DAZ DISLEY
 

twinkly

PERFORMANCE FOR CAMERA BY FENIA KOTSOPOULOU

PH. DAZ DISLEY
 

ratatatoulis

PERFORMANCE FOR CAMERA OF RAT A TOULIS (The Vegeterian Butcher) - A NEW DRAG PERSONA DEVELOPED AFTER TAKING PART IN DRAG KING WORKSHOP WITH SIGI MOONOLIGHT IN LIVE ART BISTRO.

ph. DAZ DISLEY

 


 

waitress

PERFORMANCE FOR CAMERA :  FENIA KOTSOPOULOU

ph. DAZ DISLEY

 


 

Artist's Fee - Cheeky Peas

PERFORMANCE/SELF PORTRAIT :  FENIA KOTSOPOULOU

 


 

making non sense

PERFORMANCE/SELF PORTRAIT :  FENIA KOTSOPOULOU

 


 

devourvivre

PERFORMANCE :  FENIA KOTSOPOULOU

PHOTOGRAPHY: DAZ DISLEY

 


 

F

PERFORMANCE - PHOTOGRAPHY:  FENIA KOTSOPOULOU

 


 

EXOTIC

PERFORMANCE - PHOTOGRAPHY:  FENIA KOTSOPOULOU

 


 

redriding

PERFORMANCE FOR CAMERA:  FENIA KOTSOPOULOU

PHOTO BY DAZ DISLEY

 


 

BALLERINA

PERFORMANCE FOR CAMERA:  FENIA KOTSOPOULOU

PHOTO BY DAZ DISLEY

 


 

vague

PERFORMANCE - PHOTOGRAPHY:  FENIA KOTSOPOULOU

 


 

utopia

photoproject about The Knife-eater and Lady  Rabbit chatting about Utopia.

PERFORMANCE : AYWLYN WALSH

PHOTOGRAPHY: FENIA KOTSOPOULOU

 

“In Utopia everything would have been different,” I say.

“I suppose it would.” He goes on before I can say anything more.

“Then, you know, there was a pause. I had a sort of intuition that the moment was coming.

So I think had she. You may scoff, of course, at these intuitions—” H G Wells "A modern utopia"

unbecoming

photoproject on body shame, construction of beauty and fairy tales.

SELF PORTRAIT

 

"Is body hair in every sense so utterly irrelavant that there is nothing to be said about it other than brief and repetitive instructions on how to remove it?" Karin Lesnik-Oberstein.

It's not about advocating to return the female body to a some a priori "natural" body. It's neither about claiming that women should stop removing body hair or not wearing make-up. It is about choise.The choise to love, accept, respect and inhabit my body (hair) as I like. No, I am not convinced that in order to become a beautiful and desired woman, I need to repeat with patience these rituals of "deforestation"of my armpits, face, legs. I am convinced, instead,  that my hair is part of my body. I am convinced that my body is the perfect temple in which I live; a temple in constant transformation, based on my own needs and desires. I am the only one to own it and have the right to do whatever I want with it.


The series of "UnBecoming" is about body hair, rituals of "deforestation" and how they play significant role to the construction of femininity and sexual identity.
 

eurowitch

photoperformance in collaboration with Daz Disley

PERFORMANCE FOR CAMERA: FENIA KOTSOPOULOU

PHOTOGRAPHY: DAZ DISLEY

 

"pearl" : a metaphor for something fine, or valuable ... symbolic of tears of happiness, tears of sorrow ... "pearls of wisdom" are thoughtful insights but "throwing pearls" means to speak thoughtless rubbish ... myriad contradictions and a stiff middle finger ... but who is the bitch in blue ? The Euro Witch Pop Bitch scratching an itch, that's who.

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